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Monteleone di Spoleto

“The town looks solemn and powerful, with its doors, the main road and the church of San Francesco” (M. Tabarrini)

Monteleone di Spoleto, photo by Claudia Ioan

 

Set on a hill along the Corno river valley, Monteleone di Spoleto is among the most fascinating and characteristic villages of Valnerina. Over the centuries, thanks to its position, it gained the appellation of Lions of the Appennines. Its territory is part of one the most typical and uncontaminated environment of the central Apennines.
The city is like a small casket which has been keeping precious objects of history, art and architecture for centuries: in fact, Monteleone boasts very ancient origins, as evidenced by the numerous tombs found in the surroundings. About the ancient wars and battled fighted in the area, numerous testimonies remain. Among them, the famous chariot of the sixth century BC stands. It was found here in the early twentieth century. Inside the local Church of San Francesco is preserved a splendid copy, while the original one is on display at the Metropolitan Museum of Art in New York.
The town, since ancient times, appears solemn to the visitor in all its majesty; witness of its ancient vestiges, Monteleone shows off all the pride of its history to the traveler. The city, in fact, isolated among the bleak mountains of the Apennines, is rich in symbols and meanings. Such as the repetition of certain numbers: three are the city walls and, each of them, is provided with three doors, moreover, there are six towers and eight ramparts in the city. The castle, surrounded by solid walls, watchtowers and gates, preserves the typical medieval and renaissance appearence, with its houses, churches and noble buildings that overlook alleys and squares. Characteristic element of the whole country is the local white and red rock, which makes the architecture unique, able to recall the magical two-color of the ancient orders of chivalry. The territory has four residential areas (Ruscio, Rescia, Trivio and Butino), whose main activities were agriculture and sheep – farming. But the area was known due to the industrial activities too; such as the Ruscio lignite mines and the iron mines. From these mines according to the tradition, was exctracted the raw materials for the Pantheon gates in Rome.

 

The spelled, photo by Claudia Ioan

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To make Monteleone di Spoleto an even more wonderful town is the amber color that distinguishes its land: the spelled of Monteleone is among the excellences of Italy. Thanks to the efforts of local producers, it was possible to request and obtain the DOP brand (Protected Designation of Origin).

 

Monteleone di Spoleto, photo by Claudia Ioan

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Crossing the town’s walls, it is possible to discover, through pleasant alleys, important historical and artistic treasures.  The Church of San Francesco, built between the 14th and 15th centuries, is one of them. The church is the most remarkable and suggestive monument in Monteleone, because it has been witness of the most significative historical periods of the town.
Originally, the church was dedicated to Saint Maria or better Madonna dell’Assunta, but it has been always commonly known with the name of the poor of Assisi, since the early Franciscans settled there around 1280. The Franciscan order in Monteleone always used the Church for their functions and in every official act, a seal bearing the image of the Assumption abducted in heaven with the initials S (Which stands for Sanctae) and M (which stands for Mariae). Various frescoes decorate the church walls with devotional images probably painted by artists of the the Fourtheen Century Umbrian School

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The church is located at the highest point of the historical center; It dates back to the early Middle Ages, in fact the first documents date from 1310. It has a single nave with ten chapels with its own altars. The ceiling is coffered and covered with a tempera painted canvas with floral motifs. Among the several works of considerable value, we mention the decollation of St. John the Baptist between St. Anthony from Padova, St. Isidore and La Maddalena, attributed to the painter Giuseppe Ghezzi and the Annunciation, probably a work by Agostino Masucci.

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In 1310 five Augustinian nuns, coming from the Monastery of St. Catherine in Norcia, asked for a small church and a house in the lower part of Monteleone in order to build a monastery there. Both the house and the church were outside the circle of walls, and they had been built in 1265. The nuns remained there for almost five years. Of the eighteenth-century church, only the perimeter walls remain.

 

Church of Santa Caterina, photo by Enrico Mezzasoma

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The interior of the church is typical of rural churches: in the center of the church there is an eighteenth-century altar, adorned with a wooden statue of the Madonna with Child; on the sides, inside two niches, there are the wooden statues of St. Peter and St. Paul. Along the left wall is the venerable Gilberto or Liberto, a hermit who lived here for many years.

 


Bibliography: L’Umbria si racconta. Dizionario E-O, Foligno 1982 di Mario Tabarrini.